Category Archives: Artpop

What David Bowie means to me

I wrote these few notes on David Bowie at 2:30 a.m., after I found out the news that the longtime rock legend had died.
There’s nothing I can really say that isn’t going to be said or felt by every Bowie fan, but I just wanted to offer some thoughts about his impact on the world of music.

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Bowie was one of the first things I wrote about for this blog. His name or influence would pop up every now and then in stories, whenever art, music, culture and life collided or intersected. I wrote about his exhibit at London’s V & A in 2013 — where his unique fashions and music memorabilia paid a visit — and that time he invited everyone to check out his book list. When he tweeted to the astronaut Chris Hadfield after Hadfield performed “Space Oddity” in space, confirmed he knows how to stay relevant in every decade he’s lived through. David Bowie’s been everywhere, but always on his own terms.

The body of work he’s left us is immeasurable.
By not bowing to industry pressure and not compromising his sound or views, he’s created his own style of music, his own “coolness,” that no other artist has ever been able to duplicate.

I was lucky enough to see David Bowie at Lollapalooza in the early ’90s, performing with Nine Inch Nails. From what I recall, Bowie’s performance at Mansfield in Boston was a surprise — the crowd wasn’t expecting him. I admit I didn’t know a lot about Bowie at the time — I was too sheltered in my tiny worldview of music and didn’t understand his huge impact early on.

David Bowie

But that night, seeing him from a hundred rows back, solitary, standing still, the Thin White Duke in a long black coat, you knew with one look that he was in a class by himself, that you were in the presence of rock royalty. He commanded the crowd. It’s one of those concert memories that stays with you.

Whether it was the Jareth the Goblin King, Aladdin Sane or Ziggy Stardust, or whether you have strong feelings about the quality of “Modern Love,” Bowie owned whatever persona he embodied at that time. He stood by every decision he made, including his choice to have Blackstar be his farewell.

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David Bowie arrives at the 11th annual Webby Awards at Chipriani Wall Street on June 5, 2007, in New York City.

So if you haven’t heard his music before or don’t know much about him, there’s a really good chance you’ll find a song in his catalog that you can relate to or reminisce about.

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That’s what made him great — his ability to reach across the aisle toward any genre he felt an attraction to. No one can really fill that void, but he’s left behind an amazing collection of music that we can turn to, to stay in touch with the weird in all of us.

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Jenny Hval releases thunderous debut single off “Apocalypse, girl”

Jenny Hval releases "That Battle Is Over," off "Apocalypse, girl" out June 9 on Sacred Bones

Jenny Hval releases “That Battle Is Over,” off “Apocalypse, girl” out June 9 on Sacred Bones

Norwegian musician Jenny Hval has released the debut single from her upcoming album, “Apocalypse, girl,” called “That Battle Is Over,” and it’s clear her personal wars have just begun.

“That Battle Is Over” nurtures a slow bluesy waltz that releases some powerful lyrics. “We’re at the edge of history……feminism’s over… and socialism’s over ..yeah say I can consume what I want now” she sings, and the song burns out in a haze.

“Apocalypse, girl,” Hval’s third album, is being called a collection of “transgressive pop music,” but hearing the first single only whets our appetite for her free-thinking style and bold, fiery words.

“Apocalypse, girl” will be released June 9 on Sacred Bones. She’s on tour supporting St. Vincent and Perfume Genius.

Listen to the song on Youtube, and visit jennyhval.com for more info.

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Filed under Artpop, New Music, Pop